Friday, May 25, 2012
Thursday, May 24, 2012
secret projects
I have so many secret projects that I don't share with you on here because I want you to see them in print. I want you to hold these worlds in between thumb and forefinger. But I've decided to let these words dissolve into the ether and pile up in your stomach like dust.
take these dusty words, and know that i am writing so many of them!
secret project 1:
TENDER:
A double narrative of my time spent as a volunteer in hospice, and my journey to understanding how much i love women.
take these dusty words, and know that i am writing so many of them!
secret project 1:
TENDER:
A double narrative of my time spent as a volunteer in hospice, and my journey to understanding how much i love women.
Today we knew each other. He is starting to trust my
stranger’s face because I can repeat back to him the moments of his life. I
will do this every time I visit now. I know he wants to die remembering that he
has a son that also shares his father’s name. I smile at him while I reconstruct
his timeline, and he sighs deeply—instinctively I take a deep breath too. He
says in his brutal voice, a carcass of a voice, “ That
was beau ti ful” My breath?
My breath is beautiful? I take another breath, and this time I relish in it; I
close my eyes. He nods and says “ E ven bet ter.”
In the
beginning, when we first were roommates, when we first starting calling each
other best friends, it was hard to say goodnight. At the end of the day when
she would have to make the long trip up the stairs to her room—the room so high
above mine, it seemed to be balancing on the full moon—it was too much.
Instead, we turned off the lights in the living room, or in my room, and let
the purple of the night dye our faces. We wrestled out the sticks of our
loneliness that were heaped inside us. We pressed our faces into each other
until we left red marks. I held her hair in handfuls. I held her by her waist.
When we slept, I wrapped her so tightly I grew new muscles over night. I let my
breath be open on her back.
secret project 2:
PHOTOEMS 365
strangers and friends are sending me their black and white photos. I am writing poems to them.
when he was young his body liquid, it spread out wherever
there was space. No sensation was too sandpapery to keep his loosely screwed
limbs tucked in. He was like an animal unabashed—ignorant. That’s why him and
Bif befriended each other; everything could be understood in a shoulder’s yawn,
the peninsula of a knee.
Wednesday, May 23, 2012
Monday, May 14, 2012
Sunday, May 13, 2012
Friday, May 11, 2012
we are alone/we are 7 billion
we are alone
we are 7 billion
we feel alone
we are crowding each other
we feel alone
we are 7 billion
it’s so crowded in the cities
we feel scared
we feel unsure
we have been around for centuries
we are 7 billion
we feel alone in our families
we feel alone in our relationships
we feel alone at work
we feel alone at school
in our churches
we feel alone
we are 7 billion
and we feel alone
we are doing it wrong
our friends or strangers are doing it right
we are 7 billion
we feel alone
so we want to be categorized
we want to feel the nest of assigned
identity
we feel alone
so we build houses
we build houses on top of houses
we build walls with nooks
we sit in the corner so there is no
space for loneliness
we feel alone in our neighborhoods, in
our cities, in our slums
we are 7 billion
we repeat ourselves
we feel alone in the streets
we feel alone in our cars, but we know
we feel alone in our cars
it is very hard to stay vulnerable
it is much easier to brace ourselves
and protect our hurt
we are 7 billion
we feel alone in our belief`s
we try to match them up on blind dates
we feel alone in our thoughts that are
not politically correct
we are 7 billion
we feel alone
we are afraid of each other
we feel alone
we long for each other
all opposites share a body
we feel alone
we are 7 billion
we are 7 billion
our lives look very similar
our lives are very similar to lives
hundreds of years before us
our poverty, our starvation, our
babies, our war, our sex, our
communication
we are 7 billion
we are skeptical of anyone
understanding us
we are 7 billion
we feel alone in the number
we are 7 billion
we feel alone in the concept
we feel alone
because its much easier to keep eyes
shut than to keep them open
there is only so much a muscle can
take
we feel alone
because it is easier to feel sheltered
in resentment
than it is to be exposed by our
injuries
we feel alone
we are on the internet
we feel alone
and we get hair cuts
we feel alone
we take pictures
we want other people to see our
pictures
we are 7 billion
we are anxious about existence
we are 7 billion
no human can survive alone
we feel alone in our voting booths
we feel alone so we march
we are 7 billion
we feel alone in our habits
we have so many of them
we feel alone in our guilt in our
shame
we are 7 billion
we feel alone in our mistakes
in our choices that we make and don’t
make
we feel alone in our apathy
we are 7 billion apathetics
we feel alone
we are not sure if we are invited
we feel alone in our sex
we are 7 billion sexual partners
we are 7 billion I-have-a-headaches
we feel alone in our loss
we are in more than 10 wars globally
we feel alone in our bodies
filled with viscera having pain
holding
other bodies filled with viscera
having pain holding
we are 7 billion
we feel alone in our sleep
we are asleep
we feel alone in our sins
we are 7 billion and we are perfect
we are 7 billion eating the planet
like spores
we are 7 billion, we are destiny, we
are perfect
we are 7 billion, we are perfect
we feel alone
we are perfect
we are 7 billion
Wednesday, May 9, 2012
collaboration on white
So I'm writing these poem-interviews on white. she's a real trip, white is. And I thought...white can't really be herself hanging out inside language all day, she really likes to get wild and spill some of her bleach. So Larissa Canney came along, she's a Mills graduate too, and she's like "hey-- i want to take photos of white, and film her, and be with her too. So together we are making this thing to show off white's [ahem] colors. This is something Larissa made. Pretty cool right?
http://player.vimeo.com/ video/40993654"
Stay tuned for our book! It should be really amazing. And for a sneak preview, you can read some of my poems from this project here.
I love collaboration, it's a way to really get the blood moving. we are such lovely jam-packed creatures.
http://player.vimeo.com/
Stay tuned for our book! It should be really amazing. And for a sneak preview, you can read some of my poems from this project here.
I love collaboration, it's a way to really get the blood moving. we are such lovely jam-packed creatures.
Monday, May 7, 2012
w.m.l.l. 10
he was born in a woman's body thats what we say
but the he is like a shadow in that sentence, faded by
the sun of body
his eyes on you is looking into the soothsayer
at once you feel: hurt and faithful and honest and brave
he walks with the shoulders of someone whose carried around a heavy set
of memories his forearms are hairy have sharp corners
his hair is dusty like a man's
his skin is pink, unhardened
where the sideburn-shaved sticks out like a gravel road
sitting there in his baseball cap
he looks like a boy he feels like a man.
dinner at cornelia's
tonight i fell in love with a window
the chest of it opened in two doors, one balancing on the old blue mexican antique
it showed how much wind and green body is made of
shooting out & tangled up a history with such a sense of humor.
the chest of it opened in two doors, one balancing on the old blue mexican antique
it showed how much wind and green body is made of
shooting out & tangled up a history with such a sense of humor.
Friday, May 4, 2012
w.m.l.l. 10
he is a gray bearded man
washing his windows at the gas station
he smiles at me
i want to smile back but i can't
i want to look him in the eyes,
like he is human
but i know he will take it as a signal
he can't help himself
washing his windows at the gas station
he smiles at me
i want to smile back but i can't
i want to look him in the eyes,
like he is human
but i know he will take it as a signal
he can't help himself
a little something for occupy oakland
the physics of the world are emmeshed into the philosophy that you are holding like a rock in your hands, and you have to let go of that rock, you have to let gravity do its work, you have to become vulnerable. vulnerability, revolution is all about becoming vulnerable, about caring about something that is being threatened about believing in something that has never happened before. You have to give up on the logic that has kept you safe behind walls you've built yourself. in order for change you have to take down your home. revolution is about opening yourself to the weather. its about getting rained on. its about the deshell, remembering that 'true' is a thin watery membrane, or that it's mythological. that work, which takes labor and hours and hurt, could actually change. it's about remembering that the entire world is balancing on moving plates. revolution is about coming out of the house, its about coming out of the walls you've built yourself. its about being afraid and showing your intestines. revolution is about emptying your hands of something you have been holding all your life, that you've been working towards, something you've put your sweat into, you've campaigned for even. its about letting those things you held for so long leave the warmth of your clutch and decompose.
a collaboration between Terra Brigando and me
She had been waiting all her life to see the sea. When she was young, her father, a widower, painted boats around her room. Every night she imagined the sound of the sail arching its back in the wind, the sound of pulleys and ropes. Now her father has passed. He did it just as he lived. Quietly, humbly closed his throat and went. She drove two thousand miles in two days in his old chevy. She sung Neil Young the whole way. And now her heels are wet with the salty pacific.
Poems from UNdoing Poetry 2012
sex and death
the sour animal beloved
eats the decomposed
in the cool day of rapture
it eats the wet soil, the wet souls
repelling like two currents
identity
they are siblings
she is a timid thing hiding
in the dark mobile of bones and arrow
he is a morbid thing
a body of foothills and cubbies
a place for snakes and beetles
she is a bird
fear carving her like a tomato
fear is his sedimentary path layer of mud over layer of mud
the sour animal beloved
eats the decomposed
in the cool day of rapture
it eats the wet soil, the wet souls
repelling like two currents
identity
they are siblings
she is a timid thing hiding
in the dark mobile of bones and arrow
he is a morbid thing
a body of foothills and cubbies
a place for snakes and beetles
she is a bird
fear carving her like a tomato
fear is his sedimentary path layer of mud over layer of mud
w.m.l.l. 9
this is what i see when i close my eyes and see him
these are clips from movies that i cannot forget not for my own good.
[he is rubbing his penis on her back in the crowded subway] next scene [she is has a bloody nose]
[he is a child molester, he is jerking off in a car with a woman
while looking at the jungle gym in the dark] [ he says "tell anyone and i'll kill you]
[they find out brandon is 'woman'
and brutally rape her against the car]
[she is knocked out, but he is too drugged to notice,
so he has sex with her]
I group him with all of these images
because if i don't,
these are clips from movies that i cannot forget not for my own good.
[he is rubbing his penis on her back in the crowded subway] next scene [she is has a bloody nose]
[he is a child molester, he is jerking off in a car with a woman
while looking at the jungle gym in the dark] [ he says "tell anyone and i'll kill you]
[they find out brandon is 'woman'
and brutally rape her against the car]
[she is knocked out, but he is too drugged to notice,
so he has sex with her]
I group him with all of these images
because if i don't,
Wednesday, May 2, 2012
w.m.l.l.00
we are holding each other's faces in one palm. we are telling each other what it's like to be encased in this body we live in. we are facing each other in sloppy clothes, sunday clothes. his face is calm. my body is breathing. we are laughing.
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